This film focuses on the simple relationship of a young daughter and her parents. Shwetambari (Urmilla Matondkar), the bright young daughter of rich Brahmin parents (Dimple Kapadia and Raj Babbar) studies science at the local university in Banaras. Soham (Ashmit Patel) a low caste mystic and a protégé of Babaji (Naseeruddin Shah), teaches music at the University. When the two fall in love, hell breaks loose in Banaras.
The orthodox and conservatives surface to the fore, threatening to take away everything form the young lovers. When her powerful parents try to ignore the social strictures for the happiness of their daughter, the dark forces and destiny take complete control. A shattered Shwetambari makes a choice. She decides to abandon the very city she loves the most. In despair hopelessness she turns inwards to look for answers.
17 years later, Shwetambari, now a world teacher in philosophy and religion, is confronted with a final choice ? a choice whether to return to Banaras to meet her dying father or to continue to deny all attachments.
As mentioned earlier, if you look forward to hearing some compositions by Reshammiya that are in complete contrast to what you have been hearing of him for around an year now, then 'Banaras – A Mystic Love Story' may just be the right pick. For an average listener, there are a couple of songs [Kitna Pyar Kartein Hain, Ishq Mein Dilko] in the beginning but rest of the tracks are mainly situational or of the type that would be appreciated mainly by students and followers of Indian classical music.