Kalicharan (Gulshan Grover) and Vishwanath (Tiku Talsania) are jigri friends and business partners who wear identical clothes, travel by the same car and swear by each other’s eccentricities. Their respective children, Priyanka (Reema Sen) and Vishal (Amarr Upadhyay) are unfortunately always at loggerheads. To make their children see love, the two oldies decide to get them married within three months time. Priyanka and Vishal seek murder mystery writer Ram Prasad’s (Paresh Rawal) help. Prasad in turn wants to write a love story, which his publisher (a stammering Rakesh Bedi) wants him to write. By the time Ramprasad tries to break the friendship of the two old men which in turn would make them call off their children’s marriage, the ever-bickering couple has fallen in love after a cliched Roop tera mastana sequence. Now the hitch is the old friends have turned bitter enemies after an out-of-work Kalicharan lookalike has been planted in the house by Ramprasad... Confusion abounds and the viewer is led through tiresome gags and silly lines to the climax where all’s well that ends well.

The director and writers Umesh Shukla and Anuraag Prapanna have tried so hard to inject humour in the story that every other emotion – drama and emotional quotient – takes a complete backseat in this enterprise. Even the action sequences are laced with comedy!

Anand Raaj Anand's music is nothing to hum about. The tunes are plain mediocre and even otherwise, they don't contribute in moving the story forward. Cinematography is alright.

The film rests on Paresh Rawal's shoulders and it wouldn't be wrong to state that the actor infuses life into the film. Amar Upadhyay is just about okay. Reema Sen overacts. Gulshan Grover is competent. Tiku Talsania excels in his part. Kunika, as the Bengali tenant, is decent.

Jodi Kya Banayi Wah Wah Ramji makes you wonder how redoing some patchwork scenes would have helped the film. It is a disaster from the word go. Be it the acting, the characters, the screenplay, the music or the dialogues.